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He brings this attribute into full play in addressing the damage that cellular radiation causes to the environment. Of course, director Shankar possesses a penchant for couching the fantastical and the unreal in felt human dilemmas. Bunkum is bunkum no matter how big the bucks behind it are. With Akshay Kumar, in his first-ever southern foray, exuding both star power and emotive energy in the second half of the film in the guise of an ageing ornithologist livid at the fast depleting bird numbers and then as a vengeance seeker for the avian deaths, 2.0 would have been regarded as an improved, stronger version of its predecessor had the plot been a tad more convincing. Fans sold on Rajnikanth's unrelenting starry sangfroid might therefore have reason to feel somewhat shortchanged. But look deeper and there is a visible dip in his enthusiasm for and belief in the project. On the face of it, the lead actor plunges into the universe of the two pivotal characters - the invincible robot and his brilliant creator - with all his might. " Maut se zinda lautne ka mazaa kuch aur hi hai (nothing can match the joy of returning alive from death)," says Chitti in the film's Hindi version (dialogue writer: Abbas Tyrewala) just before he declares: "I am the one, the super one." Who dare question him? Definitely not fellow humanoid Nila (Amy Jackson), another of Vaseegaran's creations.
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His plan is resisted by elements in the administration but as matters begin to go out of control, Vaseegaran secures a free hand. That, he says, is the only effective option in the fight against the new menace.
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He advises bringing Chitti back from the dead.
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The good scientist is roped in to stop the impending calamity. The army is called out but the soldiers draw a blank. A city is in the grip of complete mayhem. Handsets fly off the hands of their owners and turn into a destructive wave. For Rajnikanth fans, however, this shouldn't be more than a minor irritant.Ī mysterious power - its genesis is established in the film's opening sequence in which a man hangs himself from a cell tower - is out to eliminate mobile telephony from the face of the earth. The film and its star show clear signs of wear and tear. It has been in the works longer than it took Dr Vaseegaran to conjure up Chitti the thinking robot. 2.0, director and co-screenwriter Shankar's follow-up to 2010's Enthiran ( Robot in Hindi), has materialised after the Tamil cinema supernova has used the long break to appear in four films ( Kochadaiiyaan, Lingaa, Kabali and Kaala). But for Rajnikanth, any hiatus can only be a flash.
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The film talks at length about the sad reality of the sparrows vanishing from our metropolises - a theme culled from newspapers and social media platforms - but the pressing nature of the debate is buried deep under a flashy, impressive demo of animatronics, special effects and prosthetics.Įight years is a long time in the life of a movie star.
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But because the storytelling is, well, robotic, the frenetic action sequences rarely touch the heights that the flying mobiles achieve. The battle between good and evil, between nature and technology, plays out over two and a half hours in a zone where all the dividing lines are blurred in a way that creates the possibility of multiple interpretations. This time around, Chitti is reloaded and primed to confront a force that is out to eliminate mobile phones and cellular transmission towers from Tamil Nadu. Cast: Rajinikanth, Akshay Kumar, Amy Jackson